Sarah
Dickens
In the Meantime
from the author:
Thomas Jefferson once portrayed enlightenment as “the illimitable
freedom of the human mind to explore and expose every subject susceptible
of its contemplation.” Indeed, the opportunity to drink from
the cup of knowledge is without question one of life’s greatest
gifts. Since embarking on my studies at Syracuse University, I consider
myself extremely fortunate to engage in the pursuit of wisdom and
versatility that Jefferson so eloquently described.The following piece
was written during my freshman year for a writing studio that emphasized
the importance of introspection, creative expression and the value
of keen observation. Composing “In the Meantime” was a
refreshing occasion to project my character in writing and enjoy the
stylistic freedom of recalling memories, kindling my curiosity and
recording my contemplation. It serves as a reminder to pay greater
heed to what is often overlooked, to cherish what is simple in a world
that seems increasingly complex, and to seize the opportunities presented
with each fleeting moment.
from the teacher, Jane Oberg:
“In the Meantime” developed from a first-day assignment,
in WRT 195, requiring students to write a one page descriptive essay
about an object they either wore or carried. Sarah chose her watch.
After reading “Ode to an Orange” by Larry Woiwode, students
expanded their essays beyond mere description, considering their chosen
object’s history, function (to them and others), as well as
cultural, political, and symbolic significance. Sarah’s essay
moves easily from the physical aspects of her watch, including its
sound, to the universal implications of time. Comparing a watch to
the humans who wear them, she also offers reflections on the history
and machinations of time, from the earliest sundial, to the humorous
treatment of time by contemporary comedians. Her essay closes by pulling
readers into her topic, compelling us to reflect with her upon the
time we have just spent reading.
I am sitting in a still room, borrowing a moment to
inhale the serenity that seems to float in the air like a cloud of
fog, and listening to the silence. Listening closely, I notice that
the silence, an absence of apparent sound, is its own symphony; it
is an orchestration that is being kept alive by a carefully beating
drum. I concentrate on the drum’s beats, observing that its
rhythm is steadily and confidently throbbing. When glancing, I make
a discovery and erupt with laughter. At this moment, precisely 1:43
PM, I realize that the incessant pulsation is not the tempo of tranquility,
but rather the ticking of my watch. A small, thin, golden band strapped
to my wrist, the watch is a living creature; it has a face, hands,
a heartbeat. It has its own mechanized mind, a willpower to keep ticking
at the same pace despite the circumstances; some of the more durable
watches even tick under water. Within each brisk movement of the second-hand,
a human has laughed, some have shed tears, one is gripped by death,
and yet another is being given the gift of life.
Just like the individuals who comprise the human race, these curious
creatures come in all shapes and sizes, each with its own beauty.
My watch, an example of those delicate timepieces fastened with a
band of gold or silver, resembles a bracelet. Yet, there are watches
with thicker straps; some with leather, plastic, and even bands of
bulky cloth; watches with bold heavy-set numerals; timepieces with
only dots or diamond-shaped accents to represent the twelve hours;
as well as the contemporary digital watch. Despite the endless assortment
of watches, each serves the very same purpose: creating a framework
in which those who ride the roller coaster of modernized life must
run their days.
Living in an era that challenges me to play a variety of roles and
perform a frenzied and stressful juggling act as a one-man show, the
watch fulfills the place of my stage director, acting as a guide,
symbolizing order, and all too often telling me what to do. As I satisfy
the obligations of a family member, friend, worker, learner, and citizen,
the directions the arrows point on my watch dictate the amount of
attention devoted to each of my demanding activities. My daily life
rests on the foundation of routine and scheduling, both elements that
are policed by the peculiar device that happens to be fastened around
my lower left arm, just over the area where a nurse might take my
pulse.
It is uncommon for me to see someone who does not wear a watch and
is unable to know the correct time as he or she accomplishes the day’s
tasks. It certainly seems as though nearly every individual walks
around with a watch strapped to his or her wrist like a handcuff,
carrying it wherever he or she may go so that it is always handy for
a quick and unexpected reference. It is extremely difficult for me
contemplate the times when a watch was not an aspect of my physical
identity and I believe that it is equally challenging for others.
This is evidenced by the fact that many of my acquaintances rarely
remove their watches, even when showering or sleeping. Though, why
do we need our watches to regulate our lives when we are in a state
of subconscious relaxation? Are we actually that anxious to anticipate
the screaming of our alarm clock in the hours of morning?
We permit this symbol of scheduled life to become not only a characteristic
of our images, but also an aspect of our bodies. We insist on transporting
it anywhere and everywhere to constantly remind ourselves of our dependence
on the regulation that a watch seems to provide. The phrase “living
by the clock” has been coined to quite accurately describe our
addiction to time management. While established routines allow us
to be more efficient, we have also thought it useful to swap common
sense for the rule of the clock. No longer do we decide to sleep when
we are tired, but when the clock informs us that sleep is convenient.
I often find myself guilty of this crime against logic. Glancing at
the clock and noticing it is “late,” I feel tempted to
retire for the night whether or not I am truly fatigued. If I am sleepy
during daylight hours, I withhold from satisfying my body’s
command for the simple reason that “I don’t have time.”
Similarly, we often do not let the natural process of hunger tell
us when we should eat, but rather leave this task, once again, to
the clocks. Our trusty watches are always there to inform us that
we are approaching the lunch hour at work or our set time for dinner,
which is sometimes deemed the “family hour.” Do we also
need the clock to tell us when to take notice of our loved ones? Apparently,
we do.
Looking at my watch, I realize that every link of its band is but
the link of a chain enslaving me to a phenomenon that exists only
in the human imagination. What does the watch measure, exactly? If
you are struggling to conjure up a realistic answer, consider yourself
one of many. The hands on a watch simply make circular sweeps across
its face and yet the watch is regarded as a kind of measuring instrument.
While I understand the notion of duration of time, the transitions
between past, present, and future have about the same clarity as a
muddy pond. I consider myself to be articulating these thoughts in
the present, though with each letter I type, my thoughts become an
aspect of the past, only to be shared with readers of the future.
Somehow, the numbers on the face of the watch are thought to free
us from this web of confusion. At this very moment, in Syracuse, New
York, my watch reads 3:29 PM. The alarm clock on my armoire asserts
that it is 3:31 PM. In Jerusalem right now, the approximate time is
10:30 PM. Yes, the numbers do help, don’t they?
Perhaps even more remarkable than the idea that we base our lives
on measuring a nonexistent quantity is the fact that we seem to have
a biological clock as well. For instance, performing an unpleasant
task may feel as if it “took a long time.” As a high school
student, I had the habit of waking up only twenty minutes before leaving
the house and I still think it remarkable how quickly the second hand
seemed to spin when I needed to shake off my early morning sluggishness.
Many times these hectic episodes would prompt my mother to yell to
me from the next room in her delightful Hebrew accent, “Sari,
it’s already seven!” Hearing these words, I would check
my own watch to confirm my mother’s statement and usually find
that her time estimate rounded a full ten minutes. Incidents such
as these would never fail to remind me that while my mother, having
been raised in Israel, embraces a cultural norm of rounding the time
to avoid being concerned with trifles, my upbringing in American society
has taught me to value minute-to-minute precision. The fabric of time
may be perceived differently across cultures, but it still remains
difficult for most of us to sidestep the irrationality of time the
clock represents.
The greatest marvel of the watch may be that while it constrains us,
it is an oppressor that we have chosen to empower. Before technology
privileged humans to become accurate timekeepers by conveniently wearing
a watch, merely calculating routines using the sunrise and sunset
was not entirely satisfying. Looming in the curious mind of man was
the inspiration for the sundial: the idea of not only distinguishing
between day and night, but also dividing the day. By contrast, the
wristwatch is extremely recent in the chronology of the evolution
of the clock, or the timeline of the timepiece. Yet, the emergence
of the watch as a commonplace item has prevented us from questioning
notions of time. For instance, if time is fictitious, what does it
actually mean to arrive someplace “late” or “on
time?” Incredibly, some people even dream of the mind-boggling
concept of “time travel,” an idea depicted in many a science
fiction flick. The desire to “travel through time” throws
light on the barriers our minds have erected to separate the past,
present and future, and is just as imaginary as the concept of time
itself. An accolade for one of our most bizarre time-related concepts
however, I believe should be extended to the notion of the “time-out”
in athletic events. Why not sweep under the rug the constructed concepts
of time, the ideals that are indispensable in all other circumstances,
if it enables our favorite team to score the winning point? The truth
that most of us fail to understand is that time is eternal. In a rigorously
paced, high-speed world, we are blinded from the reality that time
lasts forever; it is only our lifetime that is limited. In essence,
only time is timeless!
I cannot help but question why the intricacies of the human perception
of time have been accepted, absurdities and all. Few are bold enough
to protest the senselessness of time, those few being comedians. I
clearly remember Mel Brooks’ puns on our daily use of words
associated with time in his spoof Spaceballs. One of his characters
poses the preposterous query, “When will then be now?”
Not surprisingly, he is dished an equally ridiculous response of “Soon!”
I also recall being amused by a particular scene in Billy Crystal’s
film Mr. Saturday Night, in which Crystal is scheduling an appointment
with a character who asks him, “How’s Friday?” Crystal’s
reply is, “It’s just like today, but later.” At
least we can thank someone for speaking the plain truth.
Comedians’ gibes are the only pieces of evidence I can find
to attest to the fact that there are other individuals “taking
the time” to question ideas that have become rote. Many of us
simply “run out of time” to examine our speech and thoughts.
On the whole, life in today’s United States and many communities
abroad does not permit us to escape from our own invention of time.
As the twenty-first century continues to unfold, we have not only
created a world where our slavery to time is inevitable, but are now
pushing the envelope to race against the clock. No longer are we satisfied
to wait three days to receive information in the mail; we simply send
a fax or an email with the punch of a button or the click of a mouse.
In a civilization that craves instant-gratification, whether in terms
of financial transactions or communication, speed has become the most
valuable commodity. Our newly conceived definitions of the words “fast”
and “slow” are resetting the biological clocks of younger
generations.
My watch tells me that several hours have passed while I have been
explaining every nuance of time, but I have numerous tasks to accomplish
before the curtain comes down on February the fifth, two-thousand
three. I better attend to these duties before I realize that I have
wasted too much time.
Sarah Rachelle Dickens is a Syracuse
University sophomore from Woodridge, New York. A member of the University
Honors Program, she is currently majoring in International Relations
with particular emphasis on Western Europe and the Middle East. Her
primary interests are in politics, cultural studies, history, religion,
and foreign languages. She is active as a tutor for the Learning Resource
Center and a participant in Hillel Jewish Student Union. She is also
Campus Leader for the Syracuse University chapter of Caravan for Democracy
(CFD), a program that empowers students to engage in constructive
dialogue and critical thinking about the Middle East by bringing prominent
Israeli figures to speak on campuses across the United States.